Adrian Boult 歌曲列表 | RapZH 中文说唱数据库

Adrian Boult的歌曲列表

歌曲	专辑
Götterdämmerung (1975 Digital Remaster): Siegfried's funeral march	Wagner Ouv Prel
Götterdämmerung (1975 Digital Remaster): Dawn and Siegfried's Rhine Journey (concert version)	Wagner Ouv Prel
Symphony No. 3 in A Minor, Op. 56, MWV N19, "Scottish":I. Andante con moto - Allegro un poco agitato - Andante come prima	MENDELSSOHN, F.: Symphonies Nos. 3, "Scottish" and 4, "Italian" (London Philharmonic Promenade, Boult) (1955)
Symphony No. 3 in A Minor, Op. 56, MWV N19, "Scottish":II. Vivace non troppo	MENDELSSOHN, F.: Symphonies Nos. 3, "Scottish" and 4, "Italian" (London Philharmonic Promenade, Boult) (1955)
Symphony No. 3 in A Minor, Op. 56, MWV N19, "Scottish":III. Adagio	MENDELSSOHN, F.: Symphonies Nos. 3, "Scottish" and 4, "Italian" (London Philharmonic Promenade, Boult) (1955)
Symphony No. 3 in A Minor, Op. 56, MWV N19, "Scottish":IV. Allegro vivacissimo - Allegro maestoso assai	MENDELSSOHN, F.: Symphonies Nos. 3, "Scottish" and 4, "Italian" (London Philharmonic Promenade, Boult) (1955)
Symphony No. 4 in A Major, Op. 90, MWV N16, "Italian":I. Allegro vivace	MENDELSSOHN, F.: Symphonies Nos. 3, "Scottish" and 4, "Italian" (London Philharmonic Promenade, Boult) (1955)
Symphony No. 4 in A Major, Op. 90, MWV N16, "Italian":II. Andante con moto	MENDELSSOHN, F.: Symphonies Nos. 3, "Scottish" and 4, "Italian" (London Philharmonic Promenade, Boult) (1955)
Symphony No. 4 in A Major, Op. 90, MWV N16, "Italian":III. Con moto moderato	MENDELSSOHN, F.: Symphonies Nos. 3, "Scottish" and 4, "Italian" (London Philharmonic Promenade, Boult) (1955)
Symphony No. 4 in A Major, Op. 90, MWV N16, "Italian":IV. Saltarello: Presto	MENDELSSOHN, F.: Symphonies Nos. 3, "Scottish" and 4, "Italian" (London Philharmonic Promenade, Boult) (1955)
Portsmouth Point	WALTON, W.: Portsmouth Point / Scapino / Siesta / The Wise Virgins Suite (London Philharmonic, Boult) (1954)
Siesta	WALTON, W.: Portsmouth Point / Scapino / Siesta / The Wise Virgins Suite (London Philharmonic, Boult) (1954)
The Wise Virgins Suite (after J.S. Bach's Was mir behagt, ist nur die muntre Jagd, BWV 208):II. Lord, hear my longing	WALTON, W.: Portsmouth Point / Scapino / Siesta / The Wise Virgins Suite (London Philharmonic, Boult) (1954)
The Wise Virgins Suite (after J.S. Bach's Was mir behagt, ist nur die muntre Jagd, BWV 208):III. See what His love can do	WALTON, W.: Portsmouth Point / Scapino / Siesta / The Wise Virgins Suite (London Philharmonic, Boult) (1954)
The Wise Virgins Suite (after J.S. Bach's Was mir behagt, ist nur die muntre Jagd, BWV 208):IV. Ah! How ephemeral	WALTON, W.: Portsmouth Point / Scapino / Siesta / The Wise Virgins Suite (London Philharmonic, Boult) (1954)
The Wise Virgins Suite (after J.S. Bach's Was mir behagt, ist nur die muntre Jagd, BWV 208):V. Sheep may safely graze	WALTON, W.: Portsmouth Point / Scapino / Siesta / The Wise Virgins Suite (London Philharmonic, Boult) (1954)
The Wise Virgins Suite (after J.S. Bach's Was mir behagt, ist nur die muntre Jagd, BWV 208):VI. Praise be to God	WALTON, W.: Portsmouth Point / Scapino / Siesta / The Wise Virgins Suite (London Philharmonic, Boult) (1954)
Symphony No. 6 in E Minor:I. Allegro	VAUGHAN WILLIAMS, R.: Symphony No. 6 (Boult) (1953)
Symphony No. 6 in E Minor:II. Moderato	VAUGHAN WILLIAMS, R.: Symphony No. 6 (Boult) (1953)
Symphony No. 6 in E Minor:III. Scherzo: Allegro vivace	VAUGHAN WILLIAMS, R.: Symphony No. 6 (Boult) (1953)
Symphony No. 6 in E Minor:IV. Epilogue: Moderato	VAUGHAN WILLIAMS, R.: Symphony No. 6 (Boult) (1953)
Vaughan Williams acknowledged the performance	VAUGHAN WILLIAMS, R.: Symphony No. 6 (Boult) (1953)
English Folk Song Suite (arr. G. Jacob for orchestra):I. March, "Seventeen Come Sunday": Allegro	VAUGHAN WILLIAMS, R.: English Folk Song Suite (excerpts) / Norfolk Rhapsody No. 1 / Fantasia on a Theme by Thomas Tallis (Boult) (1953)
English Folk Song Suite (arr. G. Jacob for orchestra):III. Intermezzo, "My Bonny Boy": Andantino	VAUGHAN WILLIAMS, R.: English Folk Song Suite (excerpts) / Norfolk Rhapsody No. 1 / Fantasia on a Theme by Thomas Tallis (Boult) (1953)