| Ottone in Villa, RV 729:Act II Scene 9: Recitative: Ah Decio, i tuio ricordi … (Ah Decio, your report … ) (Ottone, Decio) - Aria: Ben talor favella il Cielo (Very often heaven speaks) (Decio) | VIVALDI: Ottone in Villa |
| Ottone in Villa, RV 729:Act II Scene 10: Recitative: Oh! qual error fec'io … (Oh, how mistaken I was … ) (Ottone, Caio) - Aria: Compatisco il tuo fiero tormento (I sympathise with your great grief) (Ottone) | VIVALDI: Ottone in Villa |
| Ottone in Villa, RV 729:Act II Scene 11: Recitative: Quanto Cleonilla e scaltra … (How shrewd Cleonilla is! … ) (Caio) - Aria: Io sembro appunto (I am just) (Caio) | VIVALDI: Ottone in Villa |
| Ottone in Villa, RV 729:Act II Scene 12: Recitative: Ah, che non vuol sentirmi il traditore … (Ah, the deceiver will not listen to me … ) (Tullia) - Aria: Misero spirto mio (My suffering spirit) (Tullia) | VIVALDI: Ottone in Villa |
| Ottone in Villa, RV 729:Act III Scene 1: Recitative: Signor … (My lord … ) (Decio, Ottone) - Aria: Tutto sprezzo, e trono, e impero (I care for nothing, not my throne nor empire) (Ottone) | VIVALDI: Ottone in Villa |
| Ottone in Villa, RV 729:Act III Scene 2: Recitative: Gia di Ottone preveggo … (I foresee Ottone's … ) (Decio) - Aria: L'esser amante (To be a lover) (Decio) | VIVALDI: Ottone in Villa |
| Ottone in Villa, RV 729:Act III Scene 3: Recitative: Cerchi in van ch'io t'ascolti … (I am deaf to your pleas … ) (Cleonilla, Caio) - Aria: No, per te non ho più amor, no (No, I no longer love you, no) (Cleonilla) | VIVALDI: Ottone in Villa |
| Ottone in Villa, RV 729:Act III Scene 4: Recitative: Cleonilla … (Cleonilla … ) (Tullia, Caio, Cleonilla) - Aria: Guarda in quest'occhi (Look into my eyes, and hear) (Caio) | VIVALDI: Ottone in Villa |
| Ottone in Villa, RV 729:Act III Scene 5: Recitative: Quant'ha di vago Amor nel suo gran regno … (All the charms that Love possesses … ) (Cleonilla, Tullia) - Aria: Che bel contento (What sweet contentment) (Tullia) | VIVALDI: Ottone in Villa |
| Ottone in Villa, RV 729:Act III Scene 6: Recitative: Più soffrir non poss'io … (I can bear this no longer … ) (Caio, Cleonilla, Tullia) | VIVALDI: Ottone in Villa |
| Ottone in Villa, RV 729:Act III Final Scene: Recitative: Caio infierito … (Caio in a rage … ) (Ottone, Decio, Cleonilla, Caio, Tullia) | VIVALDI: Ottone in Villa |
| Ottone in Villa, RV 729:Act III Final Scene: Grande e il contento (Great and heartfelt) (Chorus) | VIVALDI: Ottone in Villa |
| Agnus Dei I | The Da Vinci Collection: Music of the Renaissance |
| St. Matthew Passion BWV 244 / Part One:No.4 Evangelist Chorus I/II Jesus: "Da versammelten sich die Hohenpriester" | Bach: St. Matthew Passion, BWV 244 |
| St. Matthew Passion BWV 244 / Part One:No.3 Choral: "Herzliebster Jesu was hast du verbrochen" | Bach: St. Matthew Passion, BWV 244 |
| St. Matthew Passion BWV 244 / Part One:No.1 Chorus I/II: "Kommt ihr T?chter helft mir klagen" | Bach: St. Matthew Passion, BWV 244 |
| St. Matthew Passion BWV 244 / Part One:No.9 Evangelist Chorus I Jesus: "Aber am ersten Tage der süssen Brot" | Bach: St. Matthew Passion, BWV 244 |
| St. Matthew Passion BWV 244 / Part One:No.10 Choral: "Ich bin's ich sollte büssen" | Bach: St. Matthew Passion, BWV 244 |
| Don Giovanni, K. 527, Act 1 Scene 3: No. 2b, Duetto, "Fuggi, crudele, fuggi! … Senti, cor mio" (Donna Anna, Don Ottavio) | Mozart - Don Giovanni |
| A Padmore Cycle: VI. Los los | Thomas Larcher: What Becomes |
| A Padmore Cycle: I. Ich schreibe heute durch - II. Almauftrieb | Thomas Larcher: What Becomes |
| A Padmore Cycle: IV. Familie Numero drei | Thomas Larcher: What Becomes |
| A Padmore Cycle: III. Hart am Herz | Thomas Larcher: What Becomes |
| A Padmore Cycle: VIII. Und beim Weggehen schmilzt aus den Augen der Schnee | Thomas Larcher: What Becomes |
